Label: Columbia - PC • Series: The Nice Price • Format: Vinyl LP, Album, Reissue, Stereo Santa Maria Pressing • Country: US • Genre: Jazz • Style: Hard Bop, Post Bop, Modal The Miles Davis Quintet - Miles Smiles (Santa Maria Pressing, Vinyl) | Discogs. Miles Smiles was recorded nearly two years after its predecessor, the immaculate E.S.P. It's just as great a set, and perhaps flows even more pleasingly than that benchmark LP. There are so many felicitous moments on these six longish tracks: a soft caressing solo from Williams or an inspired journey up and down the piano keys courtesy of Hancock/5(). Label: Columbia - CS • Format: Vinyl LP, Album, Stereo Pitman Pressing • Country: US • Genre: Jazz • Style: Hard Bop, Modal, Post Bop Miles Davis Quintet* - Miles Smiles (, Pitman Pressing, Vinyl /5(). referencing Miles Smiles, LP, Album, Ltd, RE, Blu, CS My copy has "KG/CA" in the dead wax; mastering by Kevin Gray at Cohearant Audio. That is usually a /5(). Label: Columbia - CS • Format: Vinyl LP, Album, Stereo Pitman Pressing • Country: US • Genre: Jazz • Style: Hard Bop, Modal, Post Bop Miles Davis Quintet* - Miles Smiles (, Pitman Pressing, Vinyl) | Discogs/5(). Aug 05, · The 3rd track of Miles Davis' album "Miles Smiles". Oct 06, · Miles Smiles is, in a lot of ways, the last hurrah of superlative acoustic offerings by Davis; it was the end of an era, and right before Davis started experimenting with electronic sound. Recorded in , it was right before the psychedelic period of that turbulent decade- /5(). Miles Davis Quintet Miles Smiles (2 LP), Vinyl Record, Miles Davis Quintet Miles Smiles (2 LP), Vinyl Record, We use "cookies" on our website to provide the best experience to fit your needs. They are also used to provide useful tools and valuable functionality. To get the most out of our websites, please allow the. The wonderful Post-Bop album Miles Smiles () was recorded by Davis's second great quintet, which featured saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams. The album showcases Davis' deeper exploration of modal performance with looser forms, tempos, and meters.
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